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The idea for this mesmerizing dance came to former Artistic Director Robert Battle at a choral concert at Carnegie Hall where he became fascinated by the singers’ coordinated movements. In response, he created an endlessly inventive work that deconstructs the choir, giving physical life to John Mackey’s haunting percussion score.

"The genesis of this work came to me while seeing Verdi's Requiem," Battle explained. "I found myself utterly absorbed in the intricacies of how the choir moved as a unit and then organized and condensed themselves in the pews. The juxtaposition of the choir themselves constrained by space while their voices traveled through the hall was fascinating. I wanted an original score and was familiar with John Mackey from previous works I had created, making him a clear choice for the composer."

The ballet was originally created for a "New Dances" program at Juilliard in November 2004. The New York Times' review of the performance declared, "Mr. Battle, the youngest choreographer, has recently made a name for himself with original rapid-fire movement and unexpected imagery. The Juilliard Percussion Ensemble, at the rear of the stage, provided the sound, growing in intensity. Mr. Battle took the senior class along the same path. The dancers scooted around, huddled and worked themselves up wonderfully into astounding vigor. The ritual ended with the leader throwing himself to the floor and a group flying out into the wings."