Choreographer

Lester Horton

Headshot of Lester Horton
Lester Horton Photo courtesy of the Ailey Archives

In the 1920s, ’30s, and ’40s, Lester Horton developed a modern dance technique based on Native American dances, anatomical studies, and other movement influences. In addition to creating his technique and choreographing numerous works for stage and film, Horton established the Lester Horton Dance Theater in Los Angeles in 1946. One of the first permanent theaters dedicated to modern dance in the United States, it remained in operation until 1960. 

Horton was also among the first choreographers in the United States to insist upon racial integration in his company. In Alvin Ailey’s 1995 autobiography, he wrote, “What it came down to was that, for Lester, his art was much more important than the color of a dancer’s skin.” 

Mr. Ailey studied with Horton and became a member of his company. When Horton died unexpectedly in 1953, Mr. Ailey temporarily took over leadership of the company before moving to New York. In 1958, he launched Alvin Ailey American Dance Theater with other dancers from the Horton company, including Carmen de Lavallade, Joyce Trisler, and James Truitte. 

LEGACY

Horton’s legacy continues to reverberate in the dance world, but it is perhaps most visible today in Mr. Ailey’s works where the Horton technique is the foundation for many of his masterpieces, including:

Anyone can study Horton technique through classes offered with Ailey Extension.

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Students who train at The Ailey School also learn the Horton technique. Dancers coming to their first Horton class can prepare by drawing on their experience with jazz dance. For instance, Horton technique uses flat backs and lateral stretches, tilt lines and lunges, all movements that could be found in a jazz warm-up. Horton technique also incorporates lyrical, circular movements focusing on stretching in opposite directions.

Read more about Horton technique in this Dance Spirit magazine feature story.

REPERTORY

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