Cry

In 1971, Alvin Ailey choreographed Cry as a birthday present for his mother and dedicated it "to all Black women everywhere—especially our mothers." In this three-part solo, the dancer, clad in a white leotard and long ruffled skirt, brings the audience on a journey of bitter sorrow, brutal hardship, and ecstatic joy.

Originated by the legendary Judith Jamison, Cry went on to become an enduring work of American art.  

In her autobiography Dancing Spirit, Ms. Jamison wrote, "Exactly where the woman is going through the ballet's three sections was never explained to me by Alvin. In my interpretation, she represented those women before her who came from the hardships of slavery, through the pain of losing loved ones, through overcoming extraordinary depressions and tribulations. Coming out of a world of pain and trouble, she has found her way—and triumphed."

"....it was a birthday present for Alvin's mother. You see, she was coming from Texas to see her son's company and Alvin knew she'd be celebrating a birthday in New York. In those days, none of us could shop at Tiffany or Bloomingdale’s, so Alvin decided the nicest present he could give his mother was a ballet. We went into the studio...and began moving to the music...and in a few days...Alvin made an enduring work of art....Cheering audiences still have Alvin's birthday present to his mother."