Jamaican-born choreographer Garth Fagan—a Tony Award-winner for The Lion King—expertly distills the dance traditions of his heritage to display movement in its purest form. In this ensemble work, undulating torsos move independently of gyrating hips, and arms and legs cut through space with an arresting display of strength. Tableau-like moments of stillness are juxtaposed against fiery solos. The music further echoes the West Indian tradition with a rhythmic, uplifting score composed by Trinidadian Grammy-winner Ralph McDonald.
Fagan said of his work, “From Before was looking back at my origins in the West Indies and seeing how I could take away all the trimmings and the costumes of African or Caribbean dance and strip it right down to the bare bones.” He attributed its popularity with audiences across the world to “the fluidity of Caribbean dance, the polyrhythms of African dance, the precision of ballet, and the strength and weight of modern dance.”
Fagan also noted that “it’s most important that you know the traditions of your art form. Then you can go ahead and break it and alter it and do it in retrograde, but it’s most important that you’ve got a foundation. Then you can build all kinds of miraculous temples on it.”