A solo set to two movements of Chopin's Sonata for Cello and Piano (op. 65), Doscongio is both fiercely focused and relaxed. Choreographer Robert Moses created his signature work in 1998 about the schism in one man's view of himself. The first movement is his moment of public bravura and the second, his private realization of the fallacy of that image.
Ailey II in Robert Moses' DoscongioPhoto by Eduardo Patino, NYC
Ailey II in Robert Moses' DoscongioPhoto by Eduardo Patino, NYC
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