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A group of seven dancers perform on stage, forming a connected line. The dancer at the front is leaning back dramatically while being supported by the others. They are wearing various outfits in shades of blue, red, and neutral tones. The background is dark, and the stage is lit to emphasize their movements.

Repertory

Cuore Sott’olio

COMPANIES

CHOREOGRAPHER

WORLD PREMIERE

Folly Theater, Kansas City, MO, 2013

MUSIC

Alva Noto and Vincio Capossela

COSTUMES

Naomi Luppescu

LIGHTING

Christopher Chambers

In Polish choreographer Katarzyna Skarpetowska’s Cuore Sott’olio (“heart submerged in oil”), a female figure tumbles through the memories of past relationships in a fusion of folk dance and contemporary movement. At times wistful, turbulent, and joyous, this work—set to music by Alva Noto and Vincio Capossela—captures the essence of a love lost and a rediscovered light within. 

A group of seven dancers perform on stage, forming a connected line. The dancer at the front is leaning back dramatically while being supported by the others. They are wearing various outfits in shades of blue, red, and neutral tones. The background is dark, and the stage is lit to emphasize their movements.

Ailey II in Katarzyna Skarpetowska's Cuore Sott'olio Photo by Eduardo Patino

Two dancers perform on stage with a blue background. Both have one leg lifted high and arms bent, creating dynamic, mirrored poses. The female dancer on the left wears a red top and black skirt, while the male dancer on the right wears a grey top and black pants. The lighting casts shadows on the floor.

Ailey II in Katarzyna Skarpetowska's Cuore Sott'olio Photo by Eduardo Patino

A dancer performs a solo on stage, captured in a dramatic pose with one knee bent and arms gracefully extended. She wears a flowing dress with a red sash, contrasting against the dark background. The stage is lit to highlight her movements.

Ailey II in Katarzyna Skarpetowsk's Cuore Sott'olio Photo by Eduardo Patino