Rena Butler

Rena Butler hails from Chicago, IL, and began her studies at The Chicago Academy for the Arts. She studied overseas at Taipei National University of the Arts in Taiwan, and received her BFA from SUNY Purchase Conservatory of Dance. Rena performed with companies including Hubbard Street Dance Chicago, A.I.M by Kyle Abraham, Bill T. Jones/Arnie Zane Company, David Dorfman Dance, The Kevin Wynn Collection, Pasos Con Sabor Salsa Dance Company, and Gibney Company. 

Rena is a recipient of the prestigious 2019 Princess Grace Foundation Award for Choreography, San Francisco’s 2024 Isadora Duncan Dance Award for Outstanding Achievement in Choreography, and The Ferradini Grander Award from The Ministry of Culture and Danza In Arte A Pietrasanta Festival in Pietrasanta, Italy. She has created works for Het Nationale Ballet in The Netherlands, National Ballet of Canada, San Francisco Opera's Orpheus and Eurydice, Hubbard Street Dance Chicago, Norrdans in Sweden, AIM By Kyle Abraham, Gauthier Dance in Stuttgart, Germany, The Lyric Opera of Chicago's Proximity, Cincinnati Ballet, The New Orleans Museum of Modern Art, SALT Dance, a film for Third Coast Percussion x Devonté Hynes/Blood Orange, Oregon Ballet Theater, The Juilliard School, Oklahoma City Ballet, Parsons Dance, TEDxChicago Virtual Salon 3.0: Design Your Life, Charlotte Ballet, BalletX, and more. She has been spotlighted in Dance Magazine’s On The Rise feature in 2013, and was the featured cover story for Dance Magazine’s November 2021 issue.  

Facilitation and Mentorship play a big role in Rena’s artistic persona. Butler has taught dance and choreographic workshops at L’Ecole Nationale Supérieure de Danse de Marseille in France, The Macau Cultural Center in China, The Juilliard School, The School at Jacob’s Pillow, Ailey Camp Chicago, and SUNY Purchase Conservatory of Dance. She served on the Consortium for Chicago Dancemakers Forum for 3 years, was on the annual panel for Black Girls Dance in Chicago, and co-created and directed DanceLab—a free, choreographic course for the Chicago youth, and a 3 year member of Dancewave’s Artistic Advisory Council. 

Butler’s upcoming commissions include Pacific Northwest Ballet, San Francisco Opera, Le Ballet de L’Opéra Grand Avignon, and Arles Youth Ballet in France, Parsons Dance, and more. 

Rena Butler hails from Chicago, IL, and began her studies at The Chicago Academy for the Arts. She studied overseas at Taipei National University of the Arts in Taiwan, and received her BFA from SUNY Purchase Conservatory of Dance. Rena performed with companies including Hubbard Street Dance Chicago, AIM by Kyle Abraham, Bill T. Jones/Arnie Zane Company, David Dorfman Dance, The Kevin Wynn Collection, Pasos Con Sabor Salsa Dance Company, and Gibney Company. 

Rena is a recipient of the prestigious 2019 Princess Grace Foundation Award for Choreography, The Ferradini Grander Award from the Danza in Arte a Pietrasanta and The Ministry of Culture in Italy, and San Francisco’s 2024 Isadora Duncan Dance Award for Outstanding Achievement in Choreography. She has created works for Het Nationale Ballet in The Netherlands, National Ballet of Canada, San Francisco Opera's Orpheus and Eurydice, Hubbard Street Dance Chicago, Pacific Northwest Ballet, Norrdans in Sweden, AIM By Kyle Abraham, Gauthier Dance in Stuttgart, Germany, The Lyric Opera of Chicago's Proximity, Cincinnati Ballet, The New Orleans Museum of Modern Art, Le Ballet de L’Opéra Grand Avignon, SALT Dance, a film for Third Coast Percussion x Devonté Hynes/Blood Orange, Oregon Ballet Theater, The Juilliard School, Oklahoma City Ballet, Parsons Dance, TEDxChicago Virtual Salon 3.0: Design Your Life, Charlotte Ballet, BalletX, and more. She has been spotlighted in Dance Magazine’s On The Rise feature in 2013, and was the featured cover story for Dance Magazine’s November 2021 issue.  

Facilitation and Mentorship play a big role in Rena’s artistic persona. Butler has taught dance and choreographic workshops at L’Ecole Nationale Supérieure de Danse de Marseille in France, The Macau Cultural Center in China, The Juilliard School, The School at Jacob’s Pillow, Ailey Camp Chicago, and SUNY Purchase Conservatory of Dance. She served on the Consortium for Chicago Dancemakers Forum for 3 years, was on the annual panel for Black Girls Dance in Chicago, and co-created and directed DanceLab—a free, choreographic course for the Chicago youth.